
Monty and Roy Chisholm researching Clifford documents in Madeira
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In my biographical study of William and Lucy Clifford I described how
John Collier, their loyal friend and renowned painter, accompanied
William and Lucy to Funchal in their last desperate attempt to find a cure for Williams respiratory
problems
in the warmth of Madeira. Collier
took his sketchbook with him and did several paintings of the locality (
including the one shown below) from the garden of the unnamed
hotel where they were staying
Just as John Collier was finishing the painting William must have popped
his head out of his bedroom window. Collier quickly altered his painting
to include this last image of his dear dying friend.
Among the Clifford papers I had found no record of where they stayed in
Funchal but hoped that when I visited in 1995 I would find some local
records to complete my research. However I found that fire had destroyed
many official city records and nothing was recorded about the
Clifford’s visit or William sickness and death.
I walked the streets of Funchal with the painting in my hand
hoping to recognize the building. Eventually I looked at the mountains
in the background of the painting and realized that Collier, expert
painter that he was, would have given accurate landscape detail.
By lining up the hills and the buildings I eventually found
myself standing outside an embroidery factory . I went inside and talked
to the owner who told me that the building had
originally been a hotel - the original 'Miles Hotel.'
We later unearthed some long lost shipping records which recorded that the Clifford party
with William carried on a stretcher, had been
taken straight from the harbour landing stage to this hotel.
I was disappointed that my publishers of
Such Silver Currents
did not succeed in reproducing a
clear copy of the Collier painting and that this very poignant
last image of William Kingdon Clifford is almost invisible in the book.
Sadly I see
that, even here, it is difficult to discern William's head looking out
from the left upstairs window
.
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